WATAIN: Headlining Tour
In January, Swedish black metal tyrants WATAIN will return to North America for a co-headlining tour with MAYHEM. WATAIN’s Erik Danielsson (vocals) is now available for phoners about this upcoming tour, so set-up your interview now! Available time-slots are below.
Wednesday, Dec. 17th time-slots
6PM CET//9AM PST//12PM EST:
6:30PM CET//9:30AM PST//12:30PM EST:
7PM CET//10AM PST//1PM EST:
7:30PM CET//10:30AM PST//1:30PM EST:
8PM CET//11AM PST//2PM EST:
8:30PM CET//11:30AM PST//2:30PM EST:
**If you’d like to do an emailer instead, please email nikki.law@centurymedia. com first about WATAIN’s availability; please also email nikki.law@centurymedia. com regarding all guest list and interview opportunities during WATAIN’s North American tour.**
WATAIN and MAYHEM with REVENGE:
Jan. 8, 2015–Philadelphia, PA–Union Transfer
Jan. 9, 2015–Baltimore, MD–Baltimore Soundstage
Jan. 10, 2015–New York, NY–Webster Hall
Jan. 11, 2015–Boston, MA–Royale
Jan. 12, 2015–Montreal, QC–Club Soda
Jan. 13, 2015–Toronto, ON–Opera House
Jan. 15, 2015–Cleveland, OH–Agora Ballroom
Jan. 16, 2015–Chicago, IL–Bottom Lounge
Jan. 17, 2015–Minneapolis, MN–Mill City Nights
Jan. 18, 2015–Lawrence, KS–Granada Theater
Jan. 20, 2015–Denver, CO–Summit Music Hall
Jan. 23, 2015–Calgary, AB–Republik
Jan. 24, 2015–Edmonton, AB–Starlite Room
Jan. 26, 2015–Vancouver, BC–Rickshaw Theatre
Jan. 27, 2015–Seattle, WA–El Corazon
Jan. 28, 2015–Portland, OR–Hawthorne Theatre
Jan. 30, 2015–San Francisco, CA–DNA Lounge
Jan. 31, 2015–Los Angeles, CA–Fonda Theatre
WATAIN will be touring in support of their critically acclaimed fifth full-length, The Wild Hunt, which was unleashed last year worldwide via Century Media Records. Produced once again by Tore Stjerna at his Necromorbus studio in Alvik (Sweden), The Wild Hunt is a sonic and lyrical tour-de-force that explores WATAIN’s roots, such as BATHORY and DISSECTION, while also remaining truly unique. Amid the tracks teeming with the band’s classic sound, the album also features clean vocals, Spanish guitars, and other musical experimentation, with the end result being “their most daring album yet” (Decibel Magazine).